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The Pretty Things – S.F. Sorrow | Vinyl Monday

Abigail Devoe | July 11, 2026



For 10 weeks now, number 3 stood empty…

Welcome (or welcome back) to Vinyl Monday! This is my series where I give the who/what/when/where/why and how I feel about classic albums in my collection. My thoughts on the very first rock opera, the Pretty Things’ S.F. Sorrow (released 1968.) Subscribe for more Vinyl Monday!

Keep in touch:
Instagram: @abigaildevoe https://www.instagram.com/abigaildevoe/
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I cohost the Dolls Podcast!: https://open.spotify.com/show/4JsH0rsXUNjgvFLIbwYgnK?si=798d0d6d67864c4e
https://podcasts.apple.com/us/podcast/unveiling-the-legends-dolls-of-the-60s-70s/id1749327932

Timestamps:

intro – 0:00
art/packaging/personnel – 1:27
S.F. Sorrow – 4:46
track listing/release – 18:53
my thoughts – 26:01
thanks for watching! – 46:10

Music:
Intro Music: Yeah Yeah Yeah (Long) by Audionautix is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/…) Artist: http://audionautix.com/
Outtro Music: Ticket To Nowhere Man by Audionautix is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/…) Artist: http://audionautix.com/
Vinyl Monday logo by Callum: https://www.youtube.com/@clynaack

#vinyl #vinylcommunity #theprettythings

Written by Abigail Devoe

Comments

This post currently has 44 comments.

  1. @MrKelleyzinho

    July 11, 2026 at 6:05 am

    S.F. Sorrow outshines most other British albums of 1968. The sounds they got with Norman are incredible given the technology. Every song is a gem. Blows Tommy away IMHO.

  2. @billjourdan1683

    July 11, 2026 at 6:05 am

    Thank you for this awesome review of one of my favorites, a cult classic that lives up to the hype. You had some valid critiques of where they fell a bit short with the budding "rock opera" format that they were reaching for, but it's still a visionary, potent piece of work. Interesting suggestion about adding one of the other tracks. Maybe "Defecting Grey" on side two as part of Sorrow's later NYC trip?

  3. @billjourdan1683

    July 11, 2026 at 6:05 am

    I like the mono mix, but for a psychedelic opus of this vintage, I prefer to go with the stereo mix to hear all of the little details in the arrangements, as well as all of the heady effects.

  4. @NemesisInHades

    July 11, 2026 at 6:05 am

    🌹Thanks for this…..I was thrilled the moment it came out back then….Loved it from day one. I can remember the exact moment back then when I heard it for the first time. Balloon burning really blowed me away!!! Til today! But most of the others didn´t like it. Saw the band live several times and everytime I was impressed. I still have the original 1968 album and an original drawing from Phil with his autograph.

  5. @drumbeato

    July 11, 2026 at 6:05 am

    I’ve been a fan of The Pretty Things since I first heard them back in the 1970s, although I never became aware of SF Sorrow until the 90s. It’s one of my favorite albums. I got to see them perform it at Bumbershoot here in Seattle in 1999. Talkin’ about the good times! I was thrilled. And bonus, they did a mess of their earlier R&B sides as well.

  6. @pvpgamer3243

    July 11, 2026 at 6:05 am

    yooo, I know you do rock record reviews and the one I would recommend looking at (tho its a little bit pop influenced) is Lonerism by Tame Impala, it does psycheldic rock which idk if you heard of before. In my opinion its a classic. cool review btw

  7. @alansmith1989

    July 11, 2026 at 6:05 am

    There was another album that came out; in the U.K in late 1968; and sales wise only made the lower reaches of the U.K `Record Retailer` Album charts. An album, that, when I heard it, years later, just `amazed` me. An album I, personally rate higher than `Beatles` `White` `Beggars Banquet` (Stones) `Village Green` etc (Kinks) and `S.F Sorrow`. This album is titled "The Doughnut in Granny`s Greenhouse" and is my all time favourite Pop/Rock album. It bothers me little if I am in a tiny minority of those who adore the album. I Just love it.

  8. @stephendangelini7542

    July 11, 2026 at 6:05 am

    Well done Abigail. You put so much research into your videos and provide so much info and context. I like "Balloon Burning" – the bells or chimes after he sees the balloon burning, remind me of feeling specks of ashes on one's face. Very eerie. Other favourites are SF Sorrow Is Born, She Says Good Morning, Baron Saturday, Trust, Loneliest Person.

  9. @troubadour723

    July 11, 2026 at 6:05 am

    Abby, I'm so glad you're still doing these after 5 years. They really do brighten my day, even when the subject is SF Sorrow. 😃
    If I'm not mistaken, Twink was also the drummer for Tomorrow? There are promo pictures of him with Tomorrow where he looks simultaneously whimsical and terrifying.
    I first heard about this album on a box set of prog classics that came out in the late 90s called Supernatural Fairy Tales. It included some proto-prog stuff like the Moody Blues, Procul Harum, and "Private Sorrow/Balloon Burning".

  10. @michaelevans898

    July 11, 2026 at 6:05 am

    Sixties Art Major — The Pretty Things never seemed to get a break. My circle liked everything we ever heard by them because of their accomplished RIFF-ology and prolific creativity. You might wish to check out their anonymous "Electric Banana" albums too.
    I was personally glad that Swan Song Records recorded them in the 1970's, but they never caught on like I thought they should.

  11. @baronoflivonia.3512

    July 11, 2026 at 6:05 am

    I actually thought this was a pretty amazing release from the PT's, and Baron Saturday is somthing I listen to regular basis. Private Sorrow is my 2nd favorite. My cousin who was 10 years older than me and his brother, and got turned on to a lot of English bands because we had another cousin even older in US Navy who had a wife in UK. I got my Yardbirds Roger the Engineer, and quite a few Floyd early pre Dark side, and More and Meddle are my best gifts. Great video format you have created and have been subscribed for a while, and we were in Detroit and my uncle Dave lived near Wayne Kramer in late 60's, and Scott Asheton was at his house on Grandmont & Plymouth Christmas Eve 1968, amd I was a Stooges fan since that day. Thanks.

  12. @aaronhayman8558

    July 11, 2026 at 6:05 am

    Great album and a good one to cover on your show. I feel that the cover is not at all on par with the music. I have a double "two-fer" version of the album that comes with the Parachute LP as well (also very good), and I like the cover on that better…

  13. @SeabassMC

    July 11, 2026 at 6:05 am

    So happy you made a video on this album! Love it so much, I have to ask though, have you heard the album Yeti by Amon Düül II? I’d love to see a video about that album, you do such a good job with these!

  14. @rickdrais9737

    July 11, 2026 at 6:05 am

    Emotions may be close to impossible to find these days, BUT I did manage to find a downloadable version on Internet Archive –but it's called Trippin' for some reason. Oh well, at least I managed to find it, right?

  15. @GoodbyeCharlemagne

    July 11, 2026 at 6:05 am

    Such an underrated album. Last year I made my own concept album/rock opera called “I Was A Teenage Ventriloquist Dummy” that also has a pretty bleak story arc and SF Sorrow was by far the biggest influence.

  16. @guidoerfen7944

    July 11, 2026 at 6:05 am

    Another album from the same year, based on a similar concept of telling a man's life, is "Reality" by the group Second Hand, a group of highly talented London Teenagers. Their mentor was Vic Keary, studio technician and studio co-owner. And also here, the band put their hands on the equipment (most notably the mellotron) of another band recording during daytime: The Manfred Mann band. The album is also often discussed as sitting between psych and prog. And it is dark, the story of a young man coming of age from a pampered childhood, joining the protest generation and ending in drug addiction. The final revelation is "Reality", a psychedelic monument bathed in war soundscape. The highlight is "The World will end Yesterday", almost a production-wizzardy-pastiche of "how psychedelic can you get". Main songwriter Kenny Elliott said he was aware that the whole summer of love thing would lead to disillusionment. Incredible young lads, the producer suffering a heart attack during production. The release on Polydor led nowhere.

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