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When Netflix Adds AI Movies

Ryan George | December 13, 2025



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Written in collaboration with Scott Roberts

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Written by Ryan George

Comments

This post currently has 32 comments.

  9. @LadyBherd

    December 13, 2025 at 4:52 pm

    Ok soooo, I might not say no to netflix features where they deep fake your chosen faces onto characters (with consent). Like those singing elves that everyone's aunt forwarded with each permutation and combination of family members.

  27. @Saltybuher

    December 13, 2025 at 4:52 pm

    I got an AI to write a Pitch Meeting:

    INT. STUDIO OFFICE – DAY
    SCREENWRITER: So, you have a movie for me?
    EXECUTIVE: I do! It’s called The Dark on the Moors and it’s basically An American Werewolf in London if it were written by Ernest Hemingway.
    SCREENWRITER: Oh, minimalist horror?
    EXECUTIVE: Exactly. It’s gonna be bleak, primal, and emotionally devastating. Also, everyone talks like they’re trying to win a Hemingway impersonation contest.
    SCREENWRITER: Love it. So what happens?
    EXECUTIVE: Well, two American guys are backpacking across the North York Moors, and they stop at a pub called The Slaughtered Lamb.
    SCREENWRITER: That sounds ominous.
    EXECUTIVE: It is! The locals are super weird and cryptic. They drink warm ale, play darts, and refuse to talk about the giant occult star on the wall.
    SCREENWRITER: Classic British hospitality.
    EXECUTIVE: They warn the guys to stay off the moors, which of course they don’t do.
    SCREENWRITER: Oh, so they immediately ignore the one piece of advice they were given?
    EXECUTIVE: Instantly! And then a werewolf attacks them. One guy dies, the other gets bitten, and the werewolf gets shot—but then turns into a naked man.
    SCREENWRITER: So the werewolf was a man?
    EXECUTIVE: That’s right. It’s a metaphor for the beast inside us. Or maybe just lycanthropy. Either way, it’s bad business.
    SCREENWRITER: Very Hemingway.
    EXECUTIVE: So the survivor, David, wakes up in a London hospital. He’s being cared for by a nurse named Alex who’s beautiful and has good hands.
    SCREENWRITER: Good hands?
    EXECUTIVE: That’s how Hemingway would describe her. Anyway, David starts seeing his dead friend Jack, who’s now a rotting ghost.
    SCREENWRITER: Oh no.
    EXECUTIVE: Oh yes. Jack tells David he’s going to turn into a werewolf and needs to kill himself before the full moon.
    SCREENWRITER: That escalated quickly.
    EXECUTIVE: It did! But David doesn’t believe him. Instead, he has sex with Alex, which is described as “good and hard.”
    SCREENWRITER: That’s one way to cope with supernatural trauma.
    EXECUTIVE: It is! But then the dreams start—bloody, primal, and clean. Jack keeps coming back, getting grosser each time, and keeps saying things like “A man must choose how he dies.”
    SCREENWRITER: So Jack’s like a decaying motivational speaker?
    EXECUTIVE: Pretty much! Then the full moon hits and David transforms. It’s painful and anatomical and very not-CGI.
    SCREENWRITER: And then he goes on a killing spree?
    EXECUTIVE: Oh yeah, he kills six people. It’s quick and clean and he doesn’t feel bad about it at the time.
    SCREENWRITER: That’s horrifying.
    EXECUTIVE: But also kind of poetic! He wakes up naked in a wolf cage at the zoo, which is a great way to start your morning.
    SCREENWRITER: I usually just have coffee.
    EXECUTIVE: Jack shows up again, now with all the people David killed. They’re mad and want him to die to break the bloodline.
    SCREENWRITER: So David runs?
    EXECUTIVE: He does! Right into a porn cinema, where he transforms again. Then he runs to Piccadilly Circus, causes a massive car crash, and gets cornered in an alley.
    SCREENWRITER: And Alex finds him?
    EXECUTIVE: She does! She says she loves him, which is a bold move considering he’s a murder-wolf. He lunges at her, the police shoot him, and he dies naked on the cobblestones.
    SCREENWRITER: Wow wow wow wow.
    EXECUTIVE: Yeah, and Alex cries over his body. The final line is “It was a good death, because it was fast.”
    SCREENWRITER: So the moral is… die quickly?
    EXECUTIVE: Or maybe die with dignity. Or maybe don’t ignore pub warnings. It’s ambiguous and emotionally devastating!
    SCREENWRITER: So what kind of audience are we targeting?
    EXECUTIVE: People who like werewolves, existential dread, and sentences like “The pain was clean.”
    SCREENWRITER: Super niche, love it.
    EXECUTIVE: Also, we’re gonna market it as “Hemingway meets horror” so literary people feel smart watching it.
    SCREENWRITER: Clever!
    EXECUTIVE: So, you ready to greenlight this thing?
    SCREENWRITER: I am! Just one question.
    EXECUTIVE: What’s that?
    SCREENWRITER: Why didn’t David just listen to the locals and stay off the moors?
    EXECUTIVE: Because then we wouldn’t have a movie.
    SCREENWRITER: Fair enough.

Comments are closed.

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