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The real reason you can’t enjoy modern pop music

David Hartley | September 6, 2026



In this video we explore how the use of harmony has changed over time in pop music.

Ted Gioia on Rick Beato’s channel – https://www.youtube.com/watch?v=qM4sEl8avug

David Bennett’s series on chord progressions – https://www.youtube.com/playlist?list=PLlx2eo2tD6KpfGmE-MXwcIRQh21neAKsK

12tone’s video on chord loops – https://www.youtube.com/watch?v=CyWpCVVUpO8

Written by David Hartley

Comments

This post currently has 34 comments.

  1. @brianmcbeeofficial

    September 6, 2026 at 6:30 pm

    Minor is not necessarily sad just has more feel and emotion but that emotion can be angst(metal)triumph sadness euphoria that’s why it’s getting more popular imo
    I’ve always only listen to minor songs and not depressed but I’m a metal guy so I like dark moody and something emotive 🎸🤘

  2. @danletras

    September 6, 2026 at 6:30 pm

    I was waiting for it and, of course, it came: "Now, I quite like some of these songs." Well, I quite don't. They are boring, tedious, crass, uninteresting, written for commerce and not written from the heart etc.

  3. @davidbentrin1088

    September 6, 2026 at 6:30 pm

    Modern pop is music for the hard of thinking – it all sounds the same with the singer's breathy "uptalk", clinical sampled drums, overprocessed guitar and sterile background vocals … it's like comparing cherry kool-aid to eating a real cherry …

  4. @frankmarsh1159

    September 6, 2026 at 6:30 pm

    The harmony is part of the problem for sure but I think it has more to do with a lack of melody and soulfulness…A lot of pop songs these days are not really songs in the traditional sense…They aren't written the way songs of the past were written… where someone sits at a piano or plays a guitar and comes up with chord sequences and riffs… Then they or the lyricist will write a melody to go along with the music …Then the musicians get together and work up an arrangement then record the song…Most pop songs today are based around "beats" that so called producers "make"…Sometimes multiple producers…that's why songs today can have over a dozen songwriters… And the vocal tracks are really just improvised phrases and chants that the singers put on top of the "beats"… Nobody ever really writes or performs the song …The song is "made"…In fact you will see young people on YouTube talking about the new song they just "made"…They don't even say they wrote a song…They say they made a song…Justin Bieber performed for 250,000 at Cochella without a band
    …He stood there with a laptop and played the "songs" from it…So there ya go …

  5. @matslindeberg

    September 6, 2026 at 6:30 pm

    Excellent explanation. A key (!) contributing factor to this storytelling vs trance change is that back in the analogue days people had to be at least decent musicians to compose and perform music. In a digital and looped world, those skills are more or less irrelevant. Today’s music feels much more machine made and formulaic because it is. Prediction: the rise of AI is not going to improve the quality of Top 40 songs…:)

  6. @itellu3times

    September 6, 2026 at 6:30 pm

    Very interesting. I do wish I'd picked up some music theory somewhere. I'll add this, that like many I watch a lot of these song "reaction" videos, a big theme of which is younger reviewers discovering (!?) old songs. And as soon as there's any kind of key or time or instrument change their faces light up and they say, "I didn't see that coming!". And I guess you sort of explained why a younger listener might react that way.

  7. @noserly

    September 6, 2026 at 6:30 pm

    There are too many lyrics in modern songs. The songs are peasant tier, focusing on drama over petty things. The people singing them are alien to me. I’m nowhere near people like that in real life.

  8. @onetimeonthegoodfoot

    September 6, 2026 at 6:30 pm

    Here’s the thing: pop music does suck now. It’s a commercial product manufactured by teams of people to maximize profit, for people who look for a series of hits to listen to. That was also true before the 50s. Look at what topped the charts before the Beatles. We accept it now because we’re boiled frogs: we’ve become acclimatized gradually to a poorer and poorer product. Even the “groove” apologia for the current lazy garbage tracks is conditioned by this environment. It fails to recognize that the grooves of the past were sung or played over with a lot of melodic variation. See Paul’s freak out over Hey Jude, or Stevie Wonder’s over He’s Misstra Know it All. And that the groove part is itself a contrasting part to the rest of the song. Rick Beato is right: all this is garbage. Nobody will be playing Dua Lipa 40 years from now to see what it has to teach us.

  9. @mattholsen7060

    September 6, 2026 at 6:30 pm

    Some good and useful observations. Thanks. I notice that those four-chord loops, whether the home chord is minor or major, don't seem to use anything that feels like a V7 – I. Maybe that sounds too much like a conclusion.

  10. @LBoogie-y6l

    September 6, 2026 at 6:30 pm

    I have a friend (we are older 65me 71her) she always has music going and most of the time she is listening to contemporary radio when we are driving somewhere which gets on my fucking nerves. I didn't know how to explain to her or tell her why that music actually pisses me off. So we stick to listening to channels playing rnb or throw backs. Now I understand that I'm not being an asshole, the music is frustrating to listen to. This was important for me to understand because after a life of hearing the most incredible musical song books from my parents jazz (all the greats vocally and instrumental), older brothers soul, r&b, funk, rock as well as my own through 90's hip hop and r&b. . . to now I can't stand to listen. I thought maybe I had simply gotten old and become one of those old "turn that shit off" geezers.

  11. @peterwaterford9482

    September 6, 2026 at 6:30 pm

    James Taylor was practicing "Wichita Lineman" to add it to his setlist when he called Jimmy Webb. "Hey Jimmy, you told me this song is in F." "Yeah, it's in F." JT: "But it never goes to F." Webb: "You're right, it doesn't!"
    Webb is correct – except for two chords in the intro, after Carol Kaye's descending bassline, there's not a single F chord in the whole song. So no, it DOESN'T resolve, because the singer is "still there on the line". Brilliant.

  12. @briansransom

    September 6, 2026 at 6:30 pm

    That’s a pretty cool analysis! But I have a simpler explanation: everybody just sings diatonic or even pentatonic, especially pentatonic minor. You come up with a melody that never changes keys and then you just kind of play some chords around it that gives it the feeling you like. But it’s all based around the melody, not the chords. Almost all modern music fits this pattern.

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