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Villain or Monster? Lou Reed – Berlin|Vinyl Monday

Abigail Devoe | January 4, 2026



Happy birthday, dear Caroline.

Welcome (or welcome back) to Vinyl Monday! This is my series where I give the who/what/when/where/why and how I feel about classic albums in my collection. My thoughts on Lou Reed’s grotesque masterpiece, Berlin (released 1973) Subscribe for more Vinyl Monday!

Keep in touch:
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I cohost the Dolls Podcast!: https://open.spotify.com/show/4JsH0rsXUNjgvFLIbwYgnK?si=798d0d6d67864c4e
https://podcasts.apple.com/us/podcast/unveiling-the-legends-dolls-of-the-60s-70s/id1749327932

The Beatles Note By Note pod!: https://open.spotify.com/episode/1JM41L5JiVXNw9001JgJV4?si=21d0af00d6b3469b

Timestamps:

intro – 0:00
art/packaging/personnel – 1:20
Berlin – 4:36
track listing/release – 15:04
my thoughts – 20:00
thanks for watching! – 40:49

Music:
Intro Music: Yeah Yeah Yeah (Long) by Audionautix is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/…) Artist: http://audionautix.com/
Outtro Music: Ticket To Nowhere Man by Audionautix is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/…) Artist: http://audionautix.com/
Vinyl Monday logo by Callum: https://www.youtube.com/@clynaack

#vinyl #vinylcommunity #loureed #velvetunderground

Written by Abigail Devoe

Comments

This post currently has 48 comments.

  1. @SydBarrettArchives

    January 4, 2026 at 12:34 am

    Lou didn't need collaborators to be amazing, but it did take him some time to do so. Check out New York (my personal favorite), The Blue Mask, and even Set the Twilight Reeling. I do love Berlin, it is my 2nd favorite of his, and as for Lou, have loved him since I was 12 in the 80's. Very hard to get my friends or significant others to like him though. Maybe being from Long Island myself, I just understand him.

  2. @tmountain1

    January 4, 2026 at 12:34 am

    When discussions of separating the artist from their art come up, I always think about Lou. It's almost impossible to separate him from his music, for better and worse. An insecure dickhead who made wonderful music. That's why he's compelling. I don't like him but I don't feel the need to. He was a compelling person, and so is his music.

  3. @stevedale616

    January 4, 2026 at 12:34 am

    So my dad played me this vinyl one day years ago (probably high school era for me?) as I was getting into Lou at the time, namely the Velvets mostly but solo Lou too but just transformer and New York. It was a unique listen at first and took many subsequent listens to become a favorite Lou album for me, to the point where I listened to that more than transformer sometimes. Now as a songwriter myself, I appreciate albums like this (and I’m a huge fan of Aaron West & The Roaring Twenties which does something similar) that literally bore real life in its darkest moments and such in your face character development, I’m big on “character” albums myself.
    Also I made a (what I think to be) clever correlation while I was watching your video. The arc of Transformer followed up by Berlin is somewhat reminiscent of Weezer’s debut followed by Pinkerton (another rough listen at first but keep at it, it surpasses blue album for me). Here’s this picture perfect poppy rocky debut album (produced by ric ocasek no less) only to be followed up by this raw, raunchy, painfully specific lyrical album that flops initially, causes its lead guy to take it personally to the point that he returns to the cookie cutter sound of the first album, only to have the flip turn into a cult favorite years later. (Would you consider doing a Pinkerton video? It’s current-ish, but at the sane time will be 30 next year).

    Also wow that’s a sneaky thing Bob did with that string part from sad song and putting it in the wall! Cheeky.

    Anyway, great vid, I love me some Lou (and not just cause I’m a fellow long islander like he was) and sorry I went on the weezer tangent, but it just really jumped out at me. Okay now, toodleoo.

  4. @sadcafe7675

    January 4, 2026 at 12:34 am

    This is your finest disection yet. A superb piece of writing and analysis. You continualy open my eyes (and ears) to music i thought i already knew. New light through old windows indeed. I always felt the song Street Hassle was cut from the same cloth as this album. Lou, so petulant , i named by cat after him

  5. @weis0205

    January 4, 2026 at 12:34 am

    As a man. I believe men. They want to be loved. Even though they are grotesque. They want the grotesque parts to be loved. They can not fix the existence of this. They can only attempt to live. Often within complicated rules.

  6. @BrotherLove1962

    January 4, 2026 at 12:34 am

    Lou Reed? I’ll go with monster. Overrated crap who would’ve gotten nowhere if he didn’t have friends in the press. That being said, you look stunning. I have a thing for Auburn hair. I have an unrequited love for Ann-Margret.

  7. @101vagabond

    January 4, 2026 at 12:34 am

    excellent review (from 20 mins in- the first 20 were a bit meh but great when you got to your actual thoughts on the record)- my second favourite Lou record after The Bells which I think has a similar novelistic/cinematic structure (but not marketed as such- perhaps after Berlin?)- 3rd fave?- Lulu.

  8. @sjbang5764

    January 4, 2026 at 12:34 am

    Check out "The Stone: Issue Three". It features Lou with Laurie Anderson and John Zorn.
    After the joy of Transformer, the depression of Berlin startled me at first, but as I continued to listen, I realized this was a masterpiece.

  9. @uncleorev

    January 4, 2026 at 12:34 am

    Very good, entertaining and informative video. I'm new to the channel so forgive me for asking – what was with the weird stroke -out face when saying "Eric Clapton" I couldn't figure out how to read that

  10. @naisammon4986

    January 4, 2026 at 12:34 am

    A picked up an American edition of this like 25 years ago-that’s great that a fan sent you that original British edition but yeah, the US edition comes to the whole booklet with kind of impressionistic, dark but beautiful photographs expressing the themes in the songs, etc.
    I love this album, but it’s so so depressing, it literally causes my suicidal ideation to leap forward…I avoid this for the most part haha! Yeah, I’d say if you have depression issues it can be very cathartic but if life is really attacking you it plays more like instructions on how to split the planet. It’s a masterpiece haha

  11. @Poseiden2

    January 4, 2026 at 12:34 am

    A great record that sums Lou up in many ways – his prog rock concept album. Typical of him, putting this monolithic misery directly after the camp fun of Transformer (or Metal Machine Music after Sally Can't Dance)! But I can never get the Germanic stomp of Lady Day out of my head, and the string/woodwind arrangements really work here.

  12. @JSH-z8j

    January 4, 2026 at 12:34 am

    Jack Bruce is not the only bassist on the record. As we can see on the back cover, Tony Levin also played. It's my favorite Lou album, though I have not heard them all (not really interested in Machine Metal Music, LOL).

  13. @alanclayton9277

    January 4, 2026 at 12:34 am

    i think b j wilson is a very good, unsung, drummer. as much as procol harum are a favourite sixties/seventies band of mine you have to wonder if the musicians, wilson, trower, got a little sidelined in favour of big song arrangements. the orchestration on Berlin is one of the strengths of the album but not enough to get me through it. when you see a song called sad song waiting in the listing at the end it's like, you're kidding me right?!
    " how do you think it feels" pretty downbeat and wishing i could make my exit lou since you're asking. and a sergeant pepper for the seventies? the seventies couldn't contrive such elaboration.
    as ever you go in and tackle difficult music with insight AD. but you are stronger than me.

  14. @ballhawk387

    January 4, 2026 at 12:34 am

    I read a review of this album that was superficially negative, but everything between the lines indicated brilliance, and compelled me to get it. I was not disappointed. I must be sick, as parts of this album totally crack me up, such as the intentionally saccharine twinkling chimes sounding broken glass effect, and when he says: "… I am much happier… this way". A twisted classic like no other.

  15. @michaelevans898

    January 4, 2026 at 12:34 am

    60's Art Major — My studio mates and I were really happy about Lou Reed's success in the wake of "Transformer." A couple of old, largely live, Velvet Underground albums miraculously emerged (temporarily) and better things, like "Animal" and "Sally," were on the horizon.
    In the midst of all this, "Berlin" was proof to our studio gang that Art didn't have to be pretty or entertaining, but only one of us really liked it — although the packaging was awe-inspiring.
    Congratulations! I think your review of "Berlin" is thoughtful and deep in feeling — but I still feel sorry for Bob Ezrin's suffering in a too-publicized nervous breakdown during the album's release.

  16. @Gobhicks2

    January 4, 2026 at 12:34 am

    Bob Dylan, Neil Young, Leonard Cohen, Lou Reed… and Nick Cave. Anyone since Nick Cave? The music industry has killed music as a challenging art form… discuss.

  17. @Stygosi

    January 4, 2026 at 12:34 am

    Hello Abigail! Great video. Right… knuckle cracks. I find Berlin a better album than The Wall. It has a beginning, middle and gruesome ending. The Wall's "…we came in","Isn’t this where…" beginning and ending doesn't really work. So every day Pink wakes up, gets high, fights his Babe, thinks about the past, overdoses and then becomes fascist before getting judged? Every single day? Berlin is more grounded than The Lamb Lies Down on Broadway (although that has better musicianship) It's more grounded than Gong's Flying Teapot trilogy. Which is fun to listen to. But not as intense as Berlin. Which was released around 1973. Berlin has a voyeuristic angle that sucks you in. Completely understand why it's not an easy listen. I feel I've outgrown The Wall (And Pink Floyd in general these days to be fair) but Berlin has an unpleasant truth that Jim and Caroline are still happening everyday. Although not in Berlin. It's happening in the next street or even a few doors down your street. The Wall just doesn't have that relatability. I come away from Berlin thinking "Ok, DON'T be like Jim!". The Wall I come away from thinking "Yeah, we've all got problems, son. Who cares about Vera Lynn anyway?". Berlin as a double album? Hmm, that might be a deal breaker. (What does The Wall do on Side 3 and 4 that couldn’t be condensed onto an EP?).
    I still like your videos. Especially the ones I've actually heard of! Keep them coming. And before everyone comes at me for blaspheming Floyd. Don't be a Jim.

  18. @owlerrrrrr

    January 4, 2026 at 12:34 am

    Just stumbled upon your channel. This is a wonderful review of my favourite album. I first heard Berlin when I was 13 or 14 in the late 80s and it's entranced me ever since. I was lucky enough to see him perform it live a couple of times. RIP Lou, he was the real deal.

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