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The simplest song that nobody can play

David Hartley | January 19, 2026



Giant Steps by John Coltrane is often considered to have the most complex chord progression of all time. It’s based on a simple system found within the circle of fifths, but this proved nearly impossible to play.

Written by David Hartley

Comments

This post currently has 42 comments.

  1. @aranosaranos

    January 19, 2026 at 11:45 pm

    Giant steps is an ugly silly tune. It might be difficult for some, it depends on the style of your practice. Good for selfobsessed scale players immersed in their own arses😂😂😂😂

  2. @elpirata2685

    January 19, 2026 at 11:45 pm

    I disagree that complexity was the point. The inspiration is exploring the relationship between keys a major third apart. The rest is just II-V-Is to modulate. The simplicity is why a (top-notch) musician like Flannigan could sight read the changes, and improvise a beautiful solo.
    An interesting aside: the use of a triangle as shorthand for a major 7th chord, now common in jazz, was popularised byTrane too- highlighting the geometric relationship between major thirds in the circle of fifths.

  3. @samrolfe2563

    January 19, 2026 at 11:45 pm

    Yeah, so hard when you are – check notes – just playing notes.
    Any instrument that doesn't play chords should be banned from writing Jazz.
    Drummer obviously not included.

  4. @gabrielmatte1182

    January 19, 2026 at 11:45 pm

    That progression was actually started by Ravel’s Gaspard de la Nuit – Ondine. If you listen to the climax of the piece, the chords move the same way as the first chords of giant steps (but in minor)

  5. @paulgibby6932

    January 19, 2026 at 11:45 pm

    1:48 "simple idea found in all western music" I thought you were going to say 2-5s 😅 Seems like 2-5s allow a composer to get to any new key center fast. p.s. I always thought it was clumsy how this tune climbs up to the C#-7 F#7 turnaround. Great video. I loved the visuals.

  6. @Gk2003m

    January 19, 2026 at 11:45 pm

    1:25: look at that studio! Big. Open. Brick wall…. A Live Room. I looove that sound on those recordings. When the music still mattered, before sound engineers deadened everything and then re-added reverb as an effect. Intrinsic reverb, rather than pasted-on.

  7. @terrapin323

    January 19, 2026 at 11:45 pm

    The fact that the three key centers are arrived at exclusively via 5-1s and 2-5-1s makes it actually profoundly un-weird. What WOULD be weird is if you just jumped between Bmaj7 Gmaj7 Ebmaj7 or re-arranged the chords to be perfectly symmetrical. Then again, perfect symmetry has a logic to it. If you want something even stranger, checkout countdown. Because countdown has a 3-cycle of the Trane change, instead of a 2-cycle, and it continuously goes down in whole steps. 26-2 likewise has a 3-cycle. In both of those songs, Coltrane uses a subtle substitution to break the perfect symmetry to make it more musical and palatable. In countdown the first chord is Em7 instead of Dmaj7 to implement a quasi 2-5-1 motion. In 26-2 the final bar substitutes the Fmaj7 for Cm7-F7. In both cases perfect symmetry is avoided, but we, as appreciators of math, can easily write down our own versions of the tune to explore the possibilities. For example, here's mine, first line is a 1-cycle, second line is a 2 cycle, and so on, until you get to 6-cycle, then you 2-5-1 back to the beginning. This is like a hyper-countdown arrangement.

  8. @timcardona9962

    January 19, 2026 at 11:45 pm

    Odd video. Not only is it not weird sounding at all, it’s not even the weirdest on that album LOL. It’s all functional harmony. Wayne Shorter’s tunes are “weird”.

  9. @noThankyou-g5c

    January 19, 2026 at 11:45 pm

    im sorry but tonality does not sound like complicated music theory. it sounds so basic that im more curious either how it’s worth mentioning or if I don’t actually understand what it means for music to be tonal

  10. @alichamas63

    January 19, 2026 at 11:45 pm

    “most complex chord progression ever” weeeell I wouldn’t go that far. It’s decent but I think some of Coltrane’s other tunes are harder, for example 26-2 is like Giant Steps with more twists and turns.

  11. @Y0uDude

    January 19, 2026 at 11:45 pm

    David, you said this might be more music theory than we expected. But as a musician who does everything to bypass theory and see music in pictures instead, this video was a huge gift. Thanks.

  12. @mycosys

    January 19, 2026 at 11:45 pm

    Can i request you cover the story of one of the most influential, yet unknown albums, Touch. The first American prog band/album.
    Down at Circe's Place has been one of my favourite tracks since i was a small child. The album was recorded in a castle in the Hollywood Hills, Jimi Hendrix and Mick Jagger were there, seems like a story. Also just a freaking amazing album.

  13. @mycosys

    January 19, 2026 at 11:45 pm

    As an EWI player my mind is kinda blown that not once in this did the fact a sax is monophonic and doesnt play chords come up (certainly not 7ths even in the harmonics you described, thats pretty unique harmonic energy levels).

  14. @SteveBennett1

    January 19, 2026 at 11:45 pm

    This video seems to be missing the actual explanation of what the pattern is in Giant Steps. At 6:26, it looks like it's about to draw some arrows on the cycle of fifths or something but then just…moves on. A lot of setup missing the payoff?

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