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Why this instrument explains Black American folk music

Vox | October 31, 2024



Jake Blount, a banjo scholar, explains.

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Jake Blount has built a career out of understanding the banjo’s connection to Black American folk music. In this video, he walks us through the instrument’s history — from West Africa to enslaved people in the US to the early record industry — to explain how Black folk music has evolved.

For example: The early record industry confined Black musicians to “race records” and white musicians to “hillbilly records.” Hillbilly music would have been early country and string band music. Race records restricted Black musicians to blues and jazz genres. Which meant Black musicians playing bluegrass-style banjo weren’t recorded — even if they were responsible for teaching white musicians.

Using field recordings, their own banjo and fiddle skills, and a deconstructed version of one of their own songs, Jake explains how Black musicians have long been left out of the current canon of folklore recordings and American folk music history. And what he’s doing to keep the tradition alive, with fresh observations and a musical style that looks both forward and backward.

This video was filmed on location at Hancock Shaker Village in Pittsfield, Massachusetts.

Listen to Jake Blount’s music and find his album The New Faith, here: https://jakeblount.com/

Jake’s website also lists resources for Black string band music. You can find free online resources, discover contemporary black artists, and listen to source recordings here: https://jakeblount.com/black-stringband-resources

Gribble, M., Lusk, J., York, A. “Altamont” Black Stringband Music from the Library of Congress
Blount, J. “Once There Was No Sun” The New Faith
Jones, B. “Once There Was No Sun”

Smithsonian Music, “Roots of African American Music”
https://music.si.edu/spotlight/african-american-music/roots-of-african-american-music

Smithsonian Music, “Banjos”
​​https://music.si.edu/spotlight/banjos-smithsonian

PBS, “Blackface Minstrelsy”
https://www.pbs.org/wgbh/americanexperience/features/foster-blackface-minstrelsy/

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Written by Vox

Comments

This post currently has 37 comments.

  1. @TheCompleteGuitarist

    October 31, 2024 at 7:09 am

    I am not an expert of black face for sure, but going by Al Jolson (and the biopic that contains him) he seemed to not be "lapmpooning" black musicians in the least. You could say he was appropriating their music in some ways for sure, but his attitude was one of respect. Ultimately the black influence on music is impossible to ignore in western rock pop and jazz, not to say it is the only thing but it is significant and acknowledged.

  2. @VettsClass

    October 31, 2024 at 7:09 am

    This is phenomenal ✨🙌🏿🎼 the Jola people of Guinea Bissau 🪕🪕🪕 created 🙌🏿✨🇬🇼🇬🇼🇬🇼 bluegrass🎼 country 🎼 rhythm 🎼 jazz 🎼✨🙌🏿🪕 Blues 🪕🙌🏿✨🎼🇬🇼🇬🇼🇬🇼🇬🇼

  3. @nesarkwastaken

    October 31, 2024 at 7:09 am

    Why do you americans have to make everything about race? The Banjo is a great instrument and is used by white people aswell, braids for example are from the Netherlands yet they are accepted as black, why??? Culture is for sharing, want to end racistm? Well stop talking about it.

  4. @elijahdapaedobaptiza4831

    October 31, 2024 at 7:09 am

    You say they were exploited. Let me ask you, how do you know the Carter Family were trained by Lesley? Riddle was a close friend of the Carters and Maybelle publicly credited him for teaching them. The early country musicians were close with black folk.

  5. @jeffreese4194

    October 31, 2024 at 7:09 am

    I think what you're doing to preserve this music and educate people is amazing. I'm a scholar of blues but was well aware that the banjo came first before guitars and the harmonicas that German farmers introduced to black people

  6. @itsmimanu2010

    October 31, 2024 at 7:09 am

    La mejor música fue inventada (o influenciada) por las comunidades negras y afrodescendientes, de allí surge el rock, el blues, el bluegrass, el jazz, me encantó el video, pero más me gusto el contexto y las explicación socio-histórica de todo, aguante el banjo best instrumente ever

  7. @stoogel

    October 31, 2024 at 7:09 am

    Why do you feel the need to erase the Celtic origin of country and bluegrass in an attempt to highlight the African influence? There's no denying that folk music of the British Isles were the direct precursor to this music. American music has been a fusion of black and white from the very start. Sick of this intellectually dishonest, separatist rhetoric.

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