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Master Guitarist of The Sahara: Ali Farka Touré

Bandsplaining | October 30, 2024



North African guitar music in the 70s/80s was off the chain, and nobody did it better than Ali Farka Touré. As one of the first to infuse Mali’s deeply spiritual traditional music with electric guitar, his distorted, hypnotic riffs bring you places you didn’t think were possible.

0:00 Ali Farka Touré – Lalayche
0:59 Bazoumana Sissoko – Kaba Balla
1:38 Ali Farka Touré – Street Jam from “Springing from the Roots” Documentary
1:55 Ali Farka Touré – Ketiné
5:25 Les Ballets Africians – Boundessa
6:46 John Lee Hooker – Never Get Out of These Blues Alive
7:47 Zani Diabate & The Super Djata Band – Fadingna Kouma
8:31 Ali Farka Touré – Biennal
9:13 Ali Farka Touré – Gambari
9:54 Ali Farka Touré – Kadi Kadi
10:54 Ali Farka Touré – Goye Kur
12:12 Ali Farka Touré with Ry Cooder – Soukora
12:29 Tinariwen – Sastanàqqàm
12:45 Ali Farka Touré with Ry Cooder – Soukora (again)
14:42 Ali Farka Touré – Yulli
15:12 Khaira Arby – Amalgam (from “They Will Have To Kill Us First” Documentary)

Sources:
Jahtigui: The Life and Music of Ali Farka Toure” by Corey Harris
https://www.goodreads.com/book/show/20964470-jahtigui

“Springing From The Roots” (2000, French)
https://www.imdb.com/title/tt0268908/

“A Visit To Ali Farka Touré” (2002 French)
https://www.youtube.com/watch?v=c1bNX6dgTs0

PBS’s “The Blues” Episode One (2003)
https://www.pbs.org/theblues/aboutfilms/scorsese.html

“They Will Have to Kill Us First” (2015)
https://www.theywillhavetokillusfirst.com/

Written by Bandsplaining

Comments

This post currently has 44 comments.

  1. @CruzWilson-jg5bu

    October 30, 2024 at 2:05 pm

    Good job compiling his history and thanks for sharing it. Interesting how " the religion of peace" is so brutally violent. His Dad may have worked him hard but that was the way in many places, especially rural areas. That's how he learned how to do the things he willingly went to after making some money. Farming and constant work. I bet , in reflection, he was somewhat thankful for that part of his upbringing. And btw, " caste" is pronounced "cast". Apparently you were raised after schools quit teaching about caste systems of the world, or you would have heard the word before., but that certainly isn't your fault.

  2. @targetpanicrecords

    October 30, 2024 at 2:05 pm

    A few years back I had the immense pleasure and honor to work with this man and his band when they came to Charleston South Carolina to a little club called the pour House I was a volunteer sound engineer at the time learning to use their system and my very first show was running sound and production for Ali, He and his band were very gracious and very kind and patient with me as I had never seen half of the instruments they were bringing to the stage and in his infinite wisdom and patience taught me everything I needed to know to make his music sound proper. I will never forget this experience!

  3. @bob-tshade99

    October 30, 2024 at 2:05 pm

    One of my friends from La Guineé told me that the guitar is the devil's instrument. He said most African guitarists use the African juju- vodoo to get to master and play the guitar. A guitarist who washed his guitar with juju should not anyone play his guitar except he himself…..

  4. @technoguyx

    October 30, 2024 at 2:05 pm

    Damn that's a sad ending to Ali Touré's legacy, with the sad effects of extremist insurgency in his land.

    Also, Mali is often regarded as West Africa, not North African (closer to the Mediterranean).

  5. @neilhierweer4013

    October 30, 2024 at 2:05 pm

    Saw his son Vieux Farka Touré playing yesterday and Bombino a couple of months ago. Can truly say that these artists bring such a different kinda energy than I was used to from Western bands. Not to say the latter is worse, it's just a different way they give into the music which really speaks to me.

  6. @Tsicloh

    October 30, 2024 at 2:05 pm

    Are you Ray Romano ? 😆
    On a serious note though, classifying his music as North African is debatable, not totally wrong nor fully accurate. The Sahara is the natural frontier that separates North Africa from the rest of Africa and Niafunke being in the South of that frontier, we could classify him more as West African than North African. And usually North Africa includes countries on the Southern shores of the Mediterranean and do not include Mali or Niger. Furthermore, the Songhai culture itself (of which his culture is a subgroup) is present mostly in West Africa (from Mali to Benin and to a lesser extent to Nigeria).
    That doesn't take away the fact that he grew up in a region that's a real cutural melting pot, being peopled by a large Tuareg population which is Berber.

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