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ONE HIT WONDERLAND: “Piano in the Dark” by Brenda Russell

Todd in the Shadows | June 7, 2026



You know that she’s caught up in the middle, she cries just a little, when she thinks of letting go, but what else do you know about the long varied career of Brenda Russell?
Check out “The Dinner Plan” trailer here: https://youtu.be/_aCQ5iJIuxg?si=1jgWa5j3hQtJnxWL
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Additional writing by Kevin Anderson: @kbandersonyo.bsky.social
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Written by Todd in the Shadows

Comments

This post currently has 40 comments.

  1. @isetmfriendsofire

    June 7, 2026 at 3:20 pm

    Love the concept and the melody, but I inherently have an INTENSE distaste for the sound of "gloop" production. The synths/organ/whatever and the reverb just causes a really intensely bad reaction within me lol

    Also WOW that Fast Car segment was great. Not only because we've had episodes on both Fast Car and the other song, but we saw part of that clip in the DWBH episode too. Now we have more context. Just a cool moment in the Todd Cinematic Universe

  2. @TheDrVoice

    June 7, 2026 at 3:20 pm

    Thank you for your very clear story on a song that has given me so much pleasure over the years – I teach my pupils this song from the RandB genre – I loved your research and dedication to give us such golden information. Todd – Thank you… I have sent this to all my pupils – big respect.. for keeping real music alive…..

  3. @artistwithouttalent

    June 7, 2026 at 3:20 pm

    1:59 … yes but no? If you're morbidly curious, it's a very circuitous path. So there's a vaporwave mixtape, KMARTベビー by 1983FILM. Its gimmick, as the name might suggest, is that its audio samples are taken from a tape played on KMart's PA System, specifically from March 1992. As much as I personally like it, I can't deny that it's kind of lazy, as far as vaporwave goes; a lot of the tracks are largely unedited, just slowed down. And one of the tracks is unmistakably a slowed-down version of a musak version of Piano in the Dark.

  4. @dixonite

    June 7, 2026 at 3:20 pm

    Great video. I was 19 when this came out. This kind of music was not really my "jam", but I did quite enjoy this. Another song from that same era that I liked a lot was, "I don't have the heart", by James Ingram. This must have been just a rumor back in the day however, I thought I had heard that she wrote this about Stevie Wonder, playing in the dark because he was blind.

  5. @Star_Beast_Gregar

    June 7, 2026 at 3:20 pm

    Um, I just need to comment, um, Todd? You have the singing voice of an angel. Dear God when you sang that part from "Get Here", I had to play it back briefly. I'm dead serious, my heart skipped a beat. It's been ages since I heard someone sing with THAT much soul.

  6. @Dasyati

    June 7, 2026 at 3:20 pm

    Keeping a sour relationship together through the power of music… like when the husband pulls out his concertina at the end of The Big Snit

  7. @markbelkin1303

    June 7, 2026 at 3:20 pm

    You played her being introed by Robert Townsend. This was for his show on HBO back in 1989. Well they used to play of a commercial for her episode (and Bobby Brown) after EVERY thing. I heard a snippit of this a 1000 times in between Willow and the movie where the girl dressed like a guy to play football.

  8. @karinas.1320

    June 7, 2026 at 3:20 pm

    Todd, can you pretty please do a One Hit Wonderland video on Summer Breeze by Seals and Crofts?? 🙏

    I thoroughly love that song, and I tried to explore their discography trying to find more gems and I was utterly disappointed

  9. @AdamDeLand

    June 7, 2026 at 3:20 pm

    I knew that at 8:45 when "Rise" was being played that Todd was going to reference "Hypnotize"; I always wondered if he would ever do something like that ever since learning the sample's source.

  10. @itsFlycatcher

    June 7, 2026 at 3:20 pm

    Honestly, I think a part of me likes the first music video for this song better than the second version. I like that it's shot in a way that's a little moody, a little somber with the black and white– it's good that there's not an emphasis on who the guy is, what he looks like, because… yeah, it's not about that. Him being shot like a glam rock cryptid underlines the message of the song, that he can't quite let himself be known, can't really be seen, except through his music. I think it really comes through that the singer's feelings are conflicted because he's so distant and emotionally unavailable, except for in those moments when he knows she's about to slip through his fingers and is trying to hold on desperately, baring himself in a very intimate way: by playing a heartrendingly beautiful, delicate song from the heart. She doesn't know him, doesn't love him, but only right until he plays her piano in the dark, and shows her what she means to him. I think that's beautiful.
    Sure, it's not as visually striking as a jazzy bar, and it maybe was not as marketable in its time as placing the singer as a crooning songstress singing backup to the romantic drama of… what seems like a series of white couples lol, but artistically, I like it more.

    …. also that "mass appeal" line on Gravity, Todd…. I'm sure I'm not the first to say it, but my dude, that could not be more clearly pun, lol. "Mass", as in, physics. Gravity. Attraction. You get it. "Mass appeal" maybe not as in "ooh baby, you're conventionally attractive and I like that" (although that's also a compliment people use in its own right, in the "you're so great, you could have anyone but chose me anyway, I'm so lucky to get to be with you" sense), but more as a joke that his literal mass appeals to hers. That he's so hot, so attractive, that it's like gravitational force.

  11. @jekll

    June 7, 2026 at 3:20 pm

    If there is a place to make request for "One Hit Wonderland" I will place it there. You should do either Freak Nasty's "Da Dip" or Tony Rich Project's "Nobody Knows."

  12. @angelicaterry3367

    June 7, 2026 at 3:20 pm

    "Don't worry be happy" by a black man, it's fkn political of course he's gonna win, the Epstein class wants the us all docile and no one fighting for any fkn rights. Incredible video, thank you

  13. @JeffTheGent

    June 7, 2026 at 3:20 pm

    15:56 – Joe “Bean” Esposito’s biggest hit was as lead singer of Brooklyn Dreams. “Heaven Knows,” their collaboration with Donna Summer from her album “Live and More,” reached No. 4 pop in March 1979.

    It’s sung as a duet between Summer and Esposito. Summer’s husband Bruce Sudano was the keyboardist for Brooklyn Dreams. She and Brenda Russell were friends, and as mentioned here, Summer recorded Russell’s composition “Dinner With Gershwin.”

  14. @andrewong1980

    June 7, 2026 at 3:20 pm

    Thanks for bringing this beautiful song to my attention. Somehow I had missed it growing up in the 80s. Keep up the good work, Todd, as you continue to play piano in the dark.

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