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Shooting ‘Train Dreams’ with All Natural Light in 3:2 Aspect Ratio on Alexa 35

Variety | January 15, 2026



Adolpho Veloso the cinematographer of Clint Bentley’s Netflix film ‘Train Dreams’ breaks down capturing the world of loggers at the turn of the century. Shooting almost entirely in natural light throughout Washington state, the camera team captured breathtaking imagery in a 3:2 aspect ratio on the Alexa 35.

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Written by Variety

Comments

This post currently has 46 comments.

  1. @barrygormley

    January 15, 2026 at 7:27 pm

    Mad to have such a technical video and then not display the footage in the correct aspect ratio. Anyway, incredible film. And incredible looking film. Bravo.

  2. @Rexaru2099

    January 15, 2026 at 7:27 pm

    The movie has breathtaking cinematography, it felt like every scene still could be a photograph. The natural lighting was brilliant and made it feel like a surreal memory or a beautiful vivid dream sequence.

  3. @TheeMalcolmGerard

    January 15, 2026 at 7:27 pm

    as I watched this film, I noticed these shots felt natural with no artificial light, but in the back of my mind I thought – this is Netflix and a major production of course these are artificially lit. Come to find out that majority of this was shot naturally is so reassuring, as I’m a photographer / cinematographer that loves to shoot naturally.. beautiful work!

  4. @thesocialisthedgehog6320

    January 15, 2026 at 7:27 pm

    The audacity to title this video highlighting the 3:2 aspect ratio and proceed to crop the vast majority of shots to 16:9 is incredible. How are we supposed to get any sense of the visuals, do any serious cinematography breakdown when you have chopped off parts of the image?

  5. @ViniVelasquez

    January 15, 2026 at 7:27 pm

    This movie's was so visually pleasing to watch all the way through, they did such an amazing job on this movie. From the cinematography, sound design, to the story, this is such an amazing movie!

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