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The Ballad of The Basement Tapes|Vinyl Monday

Abigail Devoe | September 4, 2025



Strap yourself to a tree with roots, you ain’t goin’ nowhere.

Welcome (or welcome back) to Vinyl Monday! This is my series where I give the who/what/when/where/why and how I feel about classic albums in my collection. My revised thoughts on Bob Dylan and The Band’s legendary Basement Tapes (released several times in different formats officially released 1975.) Subscribe for more Vinyl Monday!

Keep in touch:
Instagram: @abigaildevoe https://www.instagram.com/abigaildevoe/
My website: https://www.abigaildevoe.com
Tiktok: www.tiktok.com/@abigaildevoe
SpunIt (it’s Letterboxd for vinyl geeks): spunit://spunit.io/friendProfile?profile=sZN9N7hTusP0ifQ20TdlzbBvtHd2
I cohost the Dolls Podcast!: https://open.spotify.com/show/4JsH0rsXUNjgvFLIbwYgnK?si=798d0d6d67864c4e
https://podcasts.apple.com/us/podcast/unveiling-the-legends-dolls-of-the-60s-70s/id1749327932

Timestamps:

intro – 0:00
art/packaging/personnel – 0:45
dylan – 4:21
the band – 7:04
the songs – 9:27
great white wonder – 14:00
the release – 16:30
my thoughts – 23:15
thanks for watching! – 41:32

Music:
Intro Music: Yeah Yeah Yeah (Long) by Audionautix is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/…) Artist: http://audionautix.com/
Outtro Music: Ticket To Nowhere Man by Audionautix is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/…) Artist: http://audionautix.com/
Vinyl Monday logo by Callum: https://www.youtube.com/@clynaack

#vinyl #vinylcommunity #bobdylan #theband

Written by Abigail Devoe

Comments

This post currently has 44 comments.

  1. @thomasfahey7746

    September 4, 2025 at 3:19 am

    I became a fan of Dylan when I was 11 years old when I heard Like a Rolling Stone and when I was 13 I lestened to The Weight on late night FM radio. I have or had every album by The Band. Love the bawdy Mrs. Henry and Manfred Mann's Quinn the Eskimo. I like your take on one of the most influential albums in American music

  2. @joelsislak8031

    September 4, 2025 at 3:19 am

    This album is just trash. It amazes me that people who love music can’t look subjectively at their favorite groups and artists. I look back at so much stuff now, and scratch my head at why I liked certain albums. After Stage Freight The Band were done, too many drugs and not enough substance. Dylan has about 5 solid albums. The reset is mumble mush mouth’s unintelligible ramblings. You can’t even understand what he’s singing live nowadays. His voice is beyond shot. He’s an artist no one is gonna say NO to. Seen him a few times (once on that Dylan/Dead Tour), and regret each time. Why didn’t I learn the first time?

  3. @soulcatradio

    September 4, 2025 at 3:19 am

    I bought my copy of the Basement Tapes in the mid-90s in Boston and was pleasantly surprised to find a ripped out page from the September 11th, 1975 edition of Rolling Stone in the gatefold. It's Paul Nelson's original RS review. I love how complete some collectors were back in the day. Great show as usual, Abigail. You always do a good job putting it all in perspective.

  4. @moople72

    September 4, 2025 at 3:19 am

    I prefer Another Self Portrait (the bootleg series) to the Basement Tapes – could be due to much lower expectations for anything related to Self Portrait. I slogged thru the boxed set of the Basement Tapes (from the local library). It is 95% tedium to me – 7 or 8 classics Abby points out, the rest is not worth repeated listens. I got a kick out of those Clancy Brothers tracks (his old buds – i learned to speak hearing their records) he covers . I would compare the Basement Tapes to Prince's Black Album – the recordings were once hard to find/rare which added to the hype of "I've heard something you have not". [I remember reading or hearing raves about once rare boots like"Soldier of Love" being the Beatles finest moment or "What's the New Mary Jane" blowing away anything on The White Album]. As much as The Band was massively influential (Clapton, The Beatles, etc, taking note) and the 1966 tour certainly does live up to the legend, i don't really care for the Band other than those half-dozen obvious classics and the great Last Waltz film. Garth's noodling tends to drive me up a wall. The music tends to plod. The vocals are sickly. On occasion they manage to mine platinum with that formula – but, to me, it's just not sustainable over an album, in my unpopular opinion!

  5. @annaphallactic

    September 4, 2025 at 3:19 am

    Abby is out here holding out for YouTube reverting the Posts tab back to the Community tab. Hearing your pronunciation of Posts shift from a sonic eye roll to a gentle sardonic nudge over these past several months, I want that for you so bad. 😂

  6. @ronhiggins3296

    September 4, 2025 at 3:19 am

    thanx…Can't pick a favorite, though "I'm Not There" is so intriguing… found the complete 5 disc set, and from that (approx. 180 trax) I chose 50 originals…amazing…"Quinn" appeared on Self Potrait not New Morning

  7. @Nuclearmagenta

    September 4, 2025 at 3:19 am

    Considering all the research you did for this, it’s curious you make no mention of Greil Marcus’s book that’s mostly about The Basement Tapes, Invisible Republic. (It was later retitled The Old Weird America).

  8. @timjonesvideos

    September 4, 2025 at 3:19 am

    Another great album analysis. The best 70's stuff is nothing to shy away from IMHO, especially the first 5-6 years, I know you have covered some 70's stuff like Rumors.

  9. @painless465

    September 4, 2025 at 3:19 am

    I love a lot of the “ slighter” songs like “ Lo and Behold” “ Yea Heavy and a Bottle of Bread” “ Clothes Line Saga”. My favorites are “ Tears of Rage”( my hot take is I like it better than The Band’s Big Pink version) and Open the Door,Homer, which has a beautiful melody.

  10. @ABCDEY12

    September 4, 2025 at 3:19 am

    Hi thanx for the video, Jim James of My Morning Jacket covered "Goin' to Acapulco" for the "I'm Not There" soundtrack and "The Mighty Quinn" is definitively not on "New Morning", but a version from the Isle of Wight gig is on "Self-Portrait". Keep the good work!

  11. @JSH-z8j

    September 4, 2025 at 3:19 am

    Their cover of "Big Yellow Taxi" may be an abomination, and to be fair I've never heard their Dylan cover, but Counting Crows did nothing to earn the heavy sigh. I've realized at this point, it's just cool to hate them. They wrote some great songs.

  12. @stephenmaxner1275

    September 4, 2025 at 3:19 am

    No commentary on Robertson’s choices in 1975? I am one of those people who would have enjoyed The Band only songs if they were separate but I get annoyed at their inclusion and interjections within Dylan’s leads.

  13. @johangaudissabois8668

    September 4, 2025 at 3:19 am

    What a great job you did ABIGAIL. I always treasured THE BASEMENT TAPES because there are so many great songs on it popularised by other artists. And I fully agree : too bad I SHALL BE RELEASED is not on it and THE MIGHTY QUINN as performed by MANFRED MANN was a favorite of mine way back. Greil Marcus stated that THE BASEMENT TAPES would have been one of the greatest albums of the year if it were released in 67 and that in 75 it once again stood out! I copy that ! What a great entertaining and informative contribution you made Abigail !

  14. @ScoutSolis

    September 4, 2025 at 3:19 am

    Everything about what you do for old vinyl is fabulous. It's well-informed and fresh, which is especially crucial since most of the albums you feature are over 40 years old. You are the gateway drug for young millennials and Gen Z folx who have no idea what these records mean. I'm very well-versed in these old records, and yet you still bring to light new details that always eluded me. so thanks for that. Greil Marcus, by the way, is the critic who famously wrote in the Rolling Stone about Dylan's double LP "Self-Titled": "What is this shit?"

  15. @aronpolasek4506

    September 4, 2025 at 3:19 am

    The 1975 Basement Tapes release never really did much for me. I tried multiple times to connect with that release, but I just found myself wanting to listen to other stuff from Dylan or The Band instead. As mentioned in the video, a lot of the songs operate in a similar tempo, so maybe that sameness was part of the problem for me.

    As strange as it sounds, it wasn’t until I listened to the Complete version of the Bootleg Series entry covering the Basement Tapes that it all clicked for me. It seems somewhat counterintuitive that more material from that period would be the thing that unlocked everything for me, but I guess hearing a more complete overview of the range of songs (originals and covers) they were playing around with is what did the trick.

  16. @georgesempepos9677

    September 4, 2025 at 3:19 am

    While far from the best song in this amazing wild flood, I've always loved the way Clothesline Saga mercilessly skewers Bobbie Gentry's novelty hit in a way that's simultaneously nasty and lovingly true. Sophomoric stoned satire at its wackiest. And a bit reminiscent of how 4th Time Around treats Norwegian Wood. Bob, the eternal 1950s high school cutup/juvenile-beatnik wiseass.

  17. @BeckyLStoutWriter

    September 4, 2025 at 3:19 am

    I don't mind a redux if it features my favorite band ever, The Band! 😊 I do hope you cover The Last Waltz someday. Album and movie. Maybe you can find out why Emmylou Harris wasn't at the actual show. I can't seem to figure it out. Anyway, good video! 👍

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